|Errollyn Wallen’s piano quintet “Music for Tigers” (2006) is as picturesque as Mr. Snow’s work, if not as overtly comic. But Ms. Wallen’s vital rhythms and inventive melodies keep her work lively, and the players — Alicia Choi and Heidi Schaul-Yoder, violinists; Eva Gerard, violist; Mimi Yu, cellist; and Hsiang John Tu, pianist — gave her work, like the others, a firm, warm-spirited and finely polished performance.
Article by Allan Kozinn
NY Times 26/07/2010
What got you started?
Coming out of hospital after an operation when I was five to find a piano in the living room. My parents had to beg me to stop practising.
What was your big breakthrough?
Forming Ensemble X in 1990 to perform my music. I wanted to give concerts I would like to go to myself. At our first concert, we handed out Mars bars.
What's the biggest myth about composing?
That it's a rarefied activity carried out by dead white men in wigs.
What song would feature on the soundtrack to your life?
Dido's Lament from Purcell's Dido and Aeneas. There's something transcendent about it.
Do you suffer for your art?
Sometimes. While I was writing the oratorio Carbon-12 for Welsh National Opera earlier this year, I told myself I could eat as much as I liked as long as I kept going: I gained 10lbs.
What's your favourite film?
Andrei Tarkovsky's Stalker. I first saw it as a student, and loved the fact I wasn't always sure what was going on.
In the movie of your life, who plays you?
Pam Grier. I'd like to be as sexy as her.
What's your favourite museum?
The Museo Nazionale Etrusco di Villa Giulia in Rome. There's an amazing Etruscan sarcophagus of a married couple, both wearing mysterious smiles.
What have you sacrificed for your art?
Complete this sentence: At heart I'm just a frustrated ...
Ballet dancer. When I was 12 I wanted to go to ballet school, but my aunt and uncle said they wouldn't send me because they'd never seen a black ballet dancer before. It was terribly painful.
What's the greatest threat to music?
The lack of silence. People seem frightened of silence, yet you have to revere it in order to really celebrate music.
What advice would you give a young composer?
Follow your ears.
What work of art would you most like to own?
Howard Hodgkin's painting Rain. It inspired the mix of one of my songs.
Is there anything about your career you regret?
Not playing the organ for Billy Smart's circus. They called me once about an advert I'd placed offering myself as a keyboard player. I told them I didn't play the organ; now I wish I'd given it a go. In short
Career: Has written songs, chamber music and operas, and released three solo albums. She performs songs from the Errollyn Wallen Songbook at Riverside Studios, London W6 (020-8237 1111) on Thursday.
High point: "Seeing a photograph of my album Errollyn floating in a shuttle in outer space. An astronaut friend had taken it with him."
Low point: "Getting accidentally locked in a basement practice room for 11 hours in 2000."
Interview by Laura Barnett
The Guardian 29/07/2008
|ERROLLYN WALLEN IS FRIDAY AFTERNOONS COMPOSER 2018||MIGHTY RIVER I Orchestra X I BBC radio broadcast||CONCERTO GROSSO at Teatro Real Madrid with Chineke!|
|Snape Maltings is delighted to announce that Errollyn Wallen is the composer of 12 new songs for the project in 2018, inspired by her travels around the world.
During her second residency at Snape Maltings in January, the composer worked with young people from the nearby Leiston Primary School, developing her new compositions. On the final day Errollyn and the students visited The Red House, Britten’s home in Aldeburgh, to share snippets of her new works with a small audience.
The new set of songs entitled 'MAP: Songs for Children Everywhere' will be available to download from the Song Bank in April, and will be premiered at the Albermarle Centre, Hull on May 11th. In partnership with Hull Music Hub, the premiere choir will include young people from The City of Hull Junior Choir, Hull Choral Union Junior Chorus and students from Hull Primary and Secondary Schools.
|Exploring themes of slavery and freedom, Mighty River combines contemporary classical techniques with spirituals which were introduced to Hull in 1871 by the Fisk Jubilee Singers, an African-American a cappella choir of ex-slaves. The piece, written for orchestra, takes its inspiration from William Wilberforce the English politician, philanthropist and leader of the movement to abolish the slave trade who was, very fittingly, a native of Hull. Part of PRSF New Music Biennal 2017. Listen to the live broadcast from Hull:||Errollyn Wallen's brilliant CONCERTO GROSSO (commissioned by Orchestra of the Swan and published by Peters Edition) will be performed by Chineke! at Teatro Real in Madrid on April 14th with Errollyn performing the solo piano part. The work also features Chi-chi Nwanoku on double bass and Tai Murray, violin.
The performance will be part of the World Opera Forum
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