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JORDAN TOWN

Jordan Town is a 50-minute multi-media theatre experience that combines music, contemporary dance and film. The project was initiated by composer/musician Errollyn Wallen as a vehicle for exploring the theme of traveling, within a landscape of song and across media. Desiring to work with highly responsive artists, who possess strong musical instincts, Wallen chose to form a new company, whose members may change from project to project, but who will all be committed to carrying out the brief of making music-led, innovative and emotionally intelligent, cross-media work. For Jordan Town, Wallen collaborated with choreographer/dancer Tom Sapsford of the Royal Ballet and the film-making duo, The Honey Brothers (Mark and Daniel Goddard) and to perform with her own Ensemble X string quartet. Jordan Town is the debut work of the Errollyn Wallen Company.

Music and film are constant throughout Jordan Town with dance and music weaving in and out, from screen to live performance. Wallen's songs, with their rich, allusive texts are taken as a point of departure, never merely to be illustrated. A haunting world is created that celebrates the far reaches of the imagination through sight and sound.

The strength and lyricism of the choreography hints of Tom Sapsford's classical training but is decidedly contemporary with its sharp, asymmetric movement vocabulary and intense energy. Sapsford performs solo and with a projected image of himself in a surreal duet. Previous collaborations with Wallen have included a short ballet and performances in clubs and theatres, but this is the first time they have performed together on a full-length piece...

Jordan Town is a modern day song cycle, drawing on the traditions of lieder and also from jazz and pop styles. All the songs are original apart from When I Am Laid in Earth (Dido's Lament) from Purcell's Dido and Aeneas. The songs' pared-down quality provide an immediacy and power of expression. The combination of voice, piano and strings was decided on collectively by the company for the many possibilities for contrast within modest forces.

The aural experience is enhanced by the film's sound track which includes the sounds of slowed speech, traffic noises, a camera shutter and the string quartet. Like Tom's surreal duet with himself, in the song, the string quartet 'ghosts' itself in Wallen's radical arrangement of the Purcell aria. The Honey Brothers also contributed significantly to the dance through the use of digital technology. Sapford's recorded movements are manipulated to create a whole new choreographic language on screen. In many places the film images are minimal and stark, using intense colour to provide the backdrop.

Jordan Town was created in 2001 and premiered at the Edinburgh Festival Fringe to rapturous acclaim from audiences and critics alike. It received several 4 and 5 star reviews.

The extended run at the festival enabled the performers to grow into the material - discovering new points of connection between the performers and the media. Emerging from that experience was the desire to further develop the overlapping sections and transitions between the elements and to develop aspects of the staging.

A woman sits at the piano and sings against a huge screen of dream images. A string quartet walks and plays with shadows. A dancer performs a duet with the ghost of himself. Glorious music and song fuse with dance and film on a haunting and mesmerising journey into the far reaches of the imagination....

Jordan Town is Errollyn Wallen's modern day song cycle which draws on the traditions of lieder, jazz and pop and includes a radical arrangement of Dido's Lament from Purcell's Dido and Aeneas. The rich and unique array of original songs, all with texts by Errollyn Wallen, are performed by her at the piano and by the string quartet from Ensemble X led by David Le Page.

Tom Sapsford dances a surreal duet with his projected self weaving from stage to film with intense energy. His choreography combines the lyricism of his classical training with the asymmetric vocabulary of contemporary techniques.

The film by the honey brothers uses digital technology to create stark images of stunning colour and to provide a hypnotic presence and pathway to the subconscious.

Read Reviews of this Show

Errollyn Wallen takes up Wort Residency at Cambridge University QUAMINO'S MAP: new opera for Chicago Opera Theatre world premiere of INHERIT THE WORLD at COP26
he Faculty of Music is delighted to welcome Errollyn Wallen CBE, composer and alumna of the Faculty and King’s College, as the holder of this year’s Wort Residency. Described by The Observer as “the renaissance woman of contemporary British music”, she is a leading figure in today’s musical world, as respected as a singer/songwriter as she is a composer of contemporary new music. She is an influential an inspirational role model for young musicians and is respected and admired by fellow composers and performers alike.

During her Residency, Errollyn Wallen will be working with the Cambridge University Orchestra on performances of her music, giving a Colloquium, and performing songs from the Errollyn Wallen Songbook, as well as meeting with students individually. These exciting events promise a fascinating insight into the music and vision of one of the leading creative artists of our time.

Errollyn will be in residence during late November/early December 2021 and again in Spring 2022.
Music by Errollyn Wallen
Libretto by Deborah Brevoort

A story about the enduring pull of freedom – and the ends to which people will go to achieve it.

Juba Freeman arrives in London after winning his freedom from slavery by fighting for the British in the Revolutionary War. Thrown headfirst into British society, he meets Amelia Alumond, a member of the British Black gentry, and reconnects with other ex-slaves who are struggling to build new lives for themselves as free men. Inspired by historical events, the opera sheds a light on a forgotten corner of history – and challenges current assumptions of what life was like in 18th-century London for a person of colour.

Saturday, April 23, 2022 @ 7:30pm
Friday, April 29, 2022 @ 7:30pm
Sunday, May 1, 2022 @ 3pm


#cotmap
Errollyn Wallen's new song, Inherit the World, specially commissioned by the Royal Scottish National Orchestra Junior Chorus will receive two performances at the United Nations Conference for Climate Change on November 2nd.

See calendar.
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