AVAILABLE TO WATCH ONLINE FOR 30 DAYS FROM 22 APRIL
PROGRAMME
Matthew Locke: Suite from The Tempest (selected movements)

Purcell (arr.Britten): Chacony in G minor

Purcell: Suite from the Fairy Queen (selected movements)

Errollyn Wallen: Concerto Grosso, Movements I & IV

Handel: Concerto Grosso in B flat major

With

John Butt, conductor & harpsichord

How to watch the online concert

You can watch the performance from 7.30pm on Thursday 22 April and it will be available to watch as many times as you like for the following 30 days. Your access details will be sent to you 24 hours before the performance starts, with full details of how to watch the concert.

Performers

Academy of St Martin in the Fields

John Butt, director

INTRODUCTION & PROGRAMME
We’re joined by renowned conductor, harpsichordist and scholar John Butt for this programme of Baroque and Baroque-inspired music.

Locke Suite from The Tempest (selected movements)

Purcell (arr.Britten) Chacony in G minor

Purcell Suite from the Fairy Queen (selected movements)

Errollyn Wallen Concerto Grosso, Movements I & IV

Handel Concerto Grosso in B flat major

The story of Dido and Aeneas didn’t end with Dido’s death. Errollyn Wallen takes the story forward, interweaving a full performance of Purcell’s great tragedy with her imaginative new partner-piece.

‘Remember me, but ah! Forget my fate' sings Dido at the end of Purcell’s opera. But life isn’t quite as easy as that, and some memories have a destiny of their own. Set several years after the Carthaginian queen’s death, Dido’s Ghost finds Dido’s sister Anna abandoned on the shores of Aeneas’s new kingdom, igniting a murderous jealously in Aeneas’s wife Lavinia – and as events play out, its characters confront a past that refuses to fade.

Errollyn Wallen’s new opera, based on a tale by Roman poet Ovid, embraces and complements Purcell’s original, which is performed in its entirety as the centrepiece of a drama that is both old and new. Performed by the period instruments of the Dunedin Consort, past blurs into present and memory becomes emotion in this ambitious and poignant new commission.